Katharina Kiening

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   For Some Time (2024, Budapest). Examples from a series of 60 Polaroids, all transferred to paper via emulsion lift.

   The emulsion lifts literally detach the photographic image from its support. Urban space is no longer represented but reassembled as a fragile layer. Cracks, folds, and gaps create a tactile, almost cartographic quality. Walking becomes an act of dismantling and reordering, and memory appears as an unstable surface that cannot be fixed but is continuously reconfigured.